Published in KPBS On Air Magazine March 1992 If you drop the name of Stephen Sondheim, be prepared for an explosive response. No one who knows anything about music or theater is wishy-washy on the subject; people have volcanic reactions to the man and his work. Hailed as the most important composer-lyricist of his generation or damned as overly dark, cerebral, atonal and inaccessible, the supremely Read More →